Signed and dated 'Raza '60' (lower right)
Further signed, inscribed, and dated 'Raza / "Pommiers" / P_318 / '60 / 6F' (on the reverse)
PROVENANCE
Private collection, France
Cornette de Saint-Cyr / Lot 153 / Art Indien / Paris / 29 October 2010
Private collection, New Delhi
Saffronart / Lot 30 / Modern Indian Art / Winter Online Auction / 11-12 December 2013
Private collection, Dubai
PUBLISHED
Anne Macklin, S.H. Raza: Catalogue Raisonne (1958 - 1971), Vadehra Art Gallery & The Raza Foundation, New Delhi, 2016, pg. 58 (illustrated)
LOT ESSAY
Pommiers is a bold pattern of blues, greens, and reds, harmoniously merging into abstracted imagery of an apple orchard. As with S.H. Raza's other works during this period in his career, the expressionistic setting is not constructed from a literal depiction of the scenery or landscape. Instead, he manifested the essence of each pictorial elements in the canvas by capturing the mood and the ambiance to evoke an experience with nature rather than a direct image of it. Raza's vigorous application of paint and expressive brushwork gave the work a striking texture reminiscent of leaves or barks of an apple tree from an actual orchard.
"Notably the outlines of any cognizant forms have virtually disappeared - you may catch here or there a glimpse of a figure, the shimmer of leaves on a tree, or the vague marking of human habitation. But the mood which prevails, or to put it in his own term is, "a certain climate of experience." It is the brushstroke, which now assumes importance, to create this mood. The vibrancy of color becomes sensuous and the physical presence, and is applied with a boldness that defies the need for the subject matter - and for all else that mattered in painting." - Geeti Sen, Bindu: Space and Time in Raza's Vision, Media Transasia Ltd., 1997, pg. 76