PROVENANCE
Pontone Gallery, London
Lee Jeong Woong focuses on recreating a Victorian style of painting yet manages to reflect his aestheticism into them. Just like Victorian aesthetics that dwell on elevated naturalism, Lee's canvases depict a mimetic representation but rely heavily on complex symbolism as part of his visual language.
Aspiring to recapitulate the consciousness of contemporary Koreans, he juxtaposes the symbology of Western ideals with Korean images to reflect the conundrum and complexity of this modern experience.
His experiments with discord results in imagery that lacks a sense of cohesiveness and borders on abstraction. 'His figures are collaged and not quite integrated within the same space, and they cannot represent any explicit narrative or theme despite his playing with the titles' (Lee Jeong Woong, Laputa, Pontone Gallery, exhibition catalogue, November 2015).