Signed and dated 'Raza 07' (lower right)
Inscribed in Hindi (lower centre)
Further signed, titled twice in Hindi and English, dated and inscribed 'RAZA / 2007 / "SRIJAN" / 146 x 114 cm. / Acrylic on Canvas" (on the reverse)

PROVENANCE
Acquired directly from the artist
Private collection, Dubai

The focus of SH Raza's art over the last decades has been to explore and represent the elements of nature, he used the language of symbols and saturated his canvases in geometric shapes and colors to produce powerful works that are contemplative and spiritual. Merging his background and training, he produced work both with deep Indian vision and French plastic mastery, enfolded in modernism yet with the deep resonance of the past. Raza repeatedly revisited his defining themes creating an extraordinary series of meditative and symbolic paintings.

In this piece, Srijan, which loosely translates to creation, Raza's geometric vocabulary was apparent. Deeply immersed in ancient Indian cosmological symbolism, he celebrated the process of creation in an expansive interplay of visually disparate images sharing a collective narrative. The painting is divided into sections enclosing principle forms, each with strips of colours and variation of aligned triangles, with a black bindu in the upper center of the canvas. Just below that is a pair of bindu in red and blue representing male and female energies - close but not merging into each other. The colours, like most of his works, are remarkably vibrant with a concentration of red, orange, and earthy browns.

Supporting a central idea, Raza wields his unique visual language to reinforce the gestural idioms and philosophical aesthetics of his work. The painting seems to chronicle a story with the different patterned squares coming together to form the whole construct, with each fragment with its own metaphysical significance. The serpent-like painted circles of kundalini forming an unbroken continuity is the rejuvenation and the cyclical nature of life; the Bindu which is the primordial life-force in turn connects to germination which is conveyed with the use of triangular yonis; while the symbols of fire, water, earth, wind and sky embody elements that sustain life. The interconnectedness of the key components of the universe, simplified in Raza's canvas.