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lot 33

lot 33

Jamil Naqsh

Plate 259

oil on canvas
10 x 12 in. (25 x 30 cm.)
painted in 2013

Winning Bid: $ 3,200

Estimate: US$ 3,000 - 5,000

Lot Closed

Lot Details

Signed 'Jamil Naqsh' (lower left)

(Lot Note: From a set of 50 calligraphy paintings from the series 'Verses in Praise of God')

PROVENANCE
Pontone Gallery, London

EXHIBITED
Jamil Naqsh 'The Painted Word', Albemarle Gallery, London, 4 July 2013 - 31 August 2013

PUBLISHED
Edward Lucie-Smith, Jamil Naqsh: The Painted Word, Albemarle Gallery, London, 2013, pg. 168 (illustrated)

Part of a set of fifty paintings, the series 'Verses in Praise of God' speak of Allah but their function is to praise, rather than to simply name. The basis of the image is a dynamic to the name of God, where the sacred name is placed in a context. The context is a 'sura', or a fragment of a 'sura' taken from the Qu'ran. This allows for a more elaborate and complex development of visual imagery based on the movement of the artist's hand.

Text Reference:
Edward Lucie-Smith, Jamil Naqsh: The Painter Word, Albemarle Gallery, Exhibition Catalogue, unpaginated

Jamil Naqsh

(1939 - 2019)
Born in 1939, in Kairana in Uttar Pradesh, India, Jamil Naqsh moved to Karachi in Pakistan following the partition of the subcontinent in 1947. In 1953, he enrolled at the National College Art (then Mayo College) in Lahore, but did not complete his education there, leaving after two years to study art on his own. Naqsh’s mature style is a blend of cubism – in the way he treats form and texture – tempered with fluidity and a subtle use of colour. Naqsh has painted the female form in many of his canvases replete with poise and grace. In another series of paintings he pairs pigeons and doves with the female form, symbolic of love, peace and gentleness. One more series of works, inspired by the Italian sculptor Mario Marini, who captured the beauty of the horse in his work, combines the elegance of the nude female with the sturdy grace of the equine figure. Naqsh’s work has been exhibited extensively in Pakistan, India, the UK and the UAE. Between 1960 and 68 he served as Co-Editor of Seep, an Urdu literary magazine, and between 1970 and 73 as President of the Pakistan Painters Guild. Among the artist’s many honours are medals and awards from the Pakistan Art Council, Karachi; the Ministry of Culture, Pakistan; and the Arts Council of Pakistan. In 2009, Naqsh was awarded the Sitara-e Imtiaz by the Government of Pakistan, and in 2003, a retrospective of his work was held at the Mohatta Palace Museum in Karachi, a rare honour for a living artist. Naqsh passed away on May 16, 2019 after a sudden and brief illness, at St. Mary's hospital in London. He is recognized as one of the most important painters from Pakistan.