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Lot Details

Signed and dated ‘Souza 74' (upper right)

PROVENANCE
Acquired directly from the artist

Souza routinely came back to his favorite motifs throughout his career. A recurrent theme of his works was the conflicts in man-woman relationships with an emphasis on sexual tension and friction, as seen in the current image executed in 1974.

In the drawing, he was able to maintain an excellent economy on his use of line while still managing to capture fine details. He employed an abundance of detailing, which made up the overall structure of his subjects. Disfigured and malformed, this image of a couple was part of the ‘mutant’ studies that Souza did in conjecture with nuclear warfare in what he predicted as the eventual downfall of man.

Francis Newton Souza

(1924 - 2002)
Born in 1924 in Saligao, Goa, Souza was expelled from the Sir J.J. School of Art, Mumbai, in 1942 for taking part in the ‘Quit India’ freedom movement. He went on to found the Progressive Artist’s Group in 1948, before leaving for London a year later. In 1955 Souza held a one-man show at Gallery One in London and also had his autobiographical essay ‘Nirvana of a Maggot’ published. He was awarded the John Moore Prize at the Walker Art Gallery, Liverpool in 1957 and received an Italian Government Scholarship in 1960. In 1959 a collection of his autobiographical essays, ‘Words and Lines’, was published, and in 1962 a monograph on his work by Edwin Mullins was published as well. In 1967 Souza migrated to New York where he received the Guggenheim International Award. Two retrospectives of his work were organized by Art Heritage, New Delhi, in 1986 and 1996. Souza also participated in a work-live programme in Los Angeles, hosted by Saffronart in 2001. Souza passed away in Mumbai 2002. Some important posthumous exhibition of his work include, ‘F.N. Souza’ at Saffronart and Grosvenor Gallery, New York, in 2008; ‘F.N. Souza: Religion & Erotica’ at Tate Britain, London, in 2005-06; ‘Self-Portrait: Renaissance to Contemporary’ at the National Portrait Gallery, London, in 2005; and ‘Francis Newton Souza’ at Saffronart and Grosvenor Gallery, New York and London, in 2005.