LOT NO.
20

Jamil Naqsh

Pigeon Holed II
oil on canvas
36 x 72 in. (91.4 x 183 cm.)
painted in 2012
Starting Bid: $ 30,000
Estimate: US$ 40,000 - 60,000
Starts in

Lot Details

Signed 'Jamil Naqsh' (lower left edge)
Further signed 'Jamil Naqsh' (on the reverse)

PROVENANCE
Albemarle Gallery, London

EXHIBITED AND PUBLISHED
Jamil Naqsh: Memories of Doves & Pigeons, Albemarle Gallery, London, 2012, p. 34 (illustrated)

'In Pakistan, Jamil Naqsh is probably best known for his paintings featuring pigeons, or pigeons with beautiful women. These refer to a very particular aspect of his own past, as well as to specific aspects of Pakistani culture [...] During his childhood, the pigeons that flew in and out of the windows of the family house were personifications of domestic calm and ease. For Naqsh, the painted images are emotionally charged - they are symbols of a way of life that has been completely lost, and can never be recovered, except through the magic of art.' (Edward Lucie-Smith, Jamil Naqsh: Memories of Doves & Pigeon, Exhibition catalogue, Albemarle Gallery, London, 2012, p. 2.)

Jamil Naqsh

(b. 1938)
Born in 1938, in Kairana in Uttar Pradesh, India, Jamil Naqsh moved to Karachi in Pakistan following the partition of the subcontinent in 1947. In 1953, he enrolled at the National College Art (then Mayo College) in Lahore, but did not complete his education there, leaving after two years to study art on his own. Naqsh’s mature style is a blend of cubism – in the way he treats form and texture – tempered with fluidity and a subtle use of colour. Naqsh has painted the female form in many of his canvases replete with poise and grace. In another series of paintings he pairs pigeons and doves with the female form, symbolic of love, peace and gentleness. One more series of works, inspired by the Italian sculptor Mario Marini, who captured the beauty of the horse in his work, combines the elegance of the nude female with the sturdy grace of the equine figure. Naqsh’s work has been exhibited extensively in Pakistan, India, the UK and the UAE. Between 1960 and 68 he served as Co-Editor of Seep, an Urdu literary magazine, and between 1970 and 73 as President of the Pakistan Painters Guild. Among the artist’s many honours are medals and awards from the Pakistan Art Council, Karachi; the Ministry of Culture, Pakistan; and the Arts Council of Pakistan. In 2009, Naqsh was awarded the Sitara-e Imtiaz by the Government of Pakistan, and in 2003, a retrospective of his work was held at the Mohatta Palace Museum in Karachi, a rare honour for a living artist. Naqsh lives and works in London, and is considered the only living modern artist from Pakistan.